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Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
An apostle and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Mythological characters, one at center holding a flowing vase with two birds overhead, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Plate 14: at left Cardinal Giovanni de' Medici, elected Pope as Leo X receiving tribute of the other cardinals
Pietro Santi Bartoli
ca. 1655–76
Donkey Driver with His Herd, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 32
Giuseppe Maria Mitelli
1660
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
The Triumph of Painting; in the centre female figure representing Painting being crowned by the Three Graces rides a chariot toward Parnassus in the upper right, many other figures crowd the composition
Pietro Testa
ca. 1642
Plate 6: a young saint seated on a cloud with angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
1680
Disegno et sito del sontuoso giardino et palazzo del Gran Duca di Toscana in Roma (Villa Medici)
Giovanni Giacomo De Rossi
1620s
Plate 10: A draped female figure greeting a man representing Concordia, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 9: Noah watching over three men as they build the ark; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
The Shadow of Creusa Appears to Aeneas, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Palazzo Spada
Pietro Ferrerio
1655
Frontispiece depicting an Allegorical Representation of Painting, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing
Oliviero Gatti
1619
Plate 8: Detail of a wall from the Farnese gallery; at center, Venus reclining in bed with Cupid and Anchises; in a roundel at left, Salmacis and Hermaphroditus embracing; in roundel to the right, Pan wrestling with Cupid; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
The Vestal Virgins and the sacred fire, a veiled woman seated at left and another maintaining the fire at center and covering her face, a young woman at far left retrieving more wood, various figures gathered at right
Pietro Aquila
ca. 1670–90
The Nativity
Francesco Giovane
1630–69
Plate 26: Jupiter seated next to an eagle across from a draped figure, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Two Biblical Scenes: Saint Paul's dispute in the Synagogue at left and Saint Paul practicing wearing in front of a tent, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
1650–70
Man Subduing a Harpy, Seated on the Harpy, with His Hand Pulling at her Turban, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Plate 24: A nymph rides an ichthyocentaur who fights against a dragon, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Catafalque for Pope Clement X: a central structure raised on a 15 stepped platform, with columns surmounted by elaborate candelabra at each corner
Giovanni Battista Falda
1676
Roman warriors blowing horns and preparing to attack their enemy, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Title page to "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Saint Thomas surrounded by five youths, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Plate 18: A satyr attempts to climb onto an ichthyocentaur, who faces a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Mercury seen from behind flying in the air towards the left, holding the caduceus in his left hand; trees and architectural elements in the background; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1680–91
Plate 37: The crossing of the Jordan; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
A young boy in profile, looking to the left, with his right arm resting on a wall, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
Vendor of Biscuits, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 17
Giuseppe Maria Mitelli
1660
Plate 6: The defeat of the Holy League against the French in Ravenna, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli
1650–75
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
1650–70
Saint John the Baptist holding a lamb, surrounded by five youths, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Palazzo de Ghigi alla Lungara (Villa Farnesina)
Pietro Ferrerio
1655
Title page to the Images from the New Testament after Raphael 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis'. Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions
Pietro Aquila
1675
The Triumph of Painting on Parnassus
Pietro Testa
ca. 1642
The Lamb Butcher, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 20
Giuseppe Maria Mitelli
printed 1740
Vendor of Rosaries and Sacred Images, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 14
Giuseppe Maria Mitelli
printed 1740
Plate 13: Cardinal Giovanni de' Medici leading a procession of clergymem on the way to Rome in order to participate to the conclave
Pietro Santi Bartoli
ca. 1655–76